Unsolicited positive feedback

Earlier is week I received an email alert that my teacher Facebook profile had been tagged in a student post. What a pleasant surprise it was to find that the post was the lovely affirmation shown above! The student who posted it is one of the Year 12s who have joined the team this year.

2013 begins!

A new year. A new group of students. A new volume of Passionfruit Magazine. A revised approach to making it.

School started back for our seniors on Friday 1 February, so it's been just over a week since we started working with the second group of 'ArtProject' students. We've got four new Year 12 students, three new Year 13's and six Year 13's coming back for a second year of the project. That's a total of 13 students: a beautifully small class and a good number to work with, but not really sustainable in the long (multiple years) term. More about that some other time.

We're trying a few different approaches this year with regard to the structuring of learning. To begin with, rather than last year's 'Hack your learning space' exercise, which gained a lot of interest from parties outside of the project, but was not entirely successful in terms of student buy in and long term working relationships, we're sticking with the physical classroom space pretty much as it was. We'll re-arrange it according to the needs of specific phases of the project, but there will not be a major 'building phase' to begin the project.

We're also taking a more structured approach to the presentation of individual parts of the project - units of work one might call them in a more traditional classroom. While the 'We'll make authentic work for a magazine, and this will provide evidence for assessment' approach was good in theory, in practice many (probably all, to be truthful) of the students found it really challenging to work in this mode. On one hand it could be argued that this is because the school system has trained them to require spoon feeding in terms of 'do this task, then this task, then this task, then hand it in to your teacher and you'll get credits'. On another hand it could be argued that students at secondary level need some degree of breaking down of a big task into smaller, more achievable components if they are to experience success. On yet another hand, moderation requirements currently demand a fair degree of structure in assignments if a school is to retain freedom to offer all achievement standards.

The outcome of all of this is that we are presenting students with a series of open ended assignments that will (hopefully) give them the flexibility to produce the work they want to for the magazine, while at the same time giving them more structure than last year. I (Sam) am still in two minds about this, because I suspect that ultimately we need to produce learners who can break a major task down into parts they can manage, but maybe my expectations are a bit high . . .

We've also changed the teaching team, bringing a different English specialist on board, and replacing one of the Visual Arts specialists with a Music/Technology specialist. So the teaching team is now Sam Cunnane (Visual Arts/Project Leader), Anna Dowthwaite (English) and Jesse Te Weehi (Music/Technology). Jesse's role will be largely in relation to the web-based components of the magazine, but he is also leading a second integrated curriculum project in the school ('MusicPro', but more about that another time).

Cmdr_Hadfield Chris Hadfield

The Earth has problem skin; one popped, the other didn't. pic.twitter.com/2oqTv5p3

Finally, we finished the week on a bit of a high, in the middle of making arrangements to do an interview with an astronaut (Chris Hadfield) who takes photographs from the international space station. He's well worth following on Twitter - @Cmdr_Hadfield

Reflections on Year One

I've been pretty quiet on the blogging front lately - silent in fact, since mid-August. Now that the academic year is slowing down a bit I've got some time and distance for thinking about how the project's gone, and what we'll do differently next year.

Firstly, here's a re-cap of what we've been up to since the launch of the magazine. There were three key tasks for the students during Term Three, and the few weeks of Term Four that they were present for, prior to NCEA exam leave: Visual Arts folio development (for those not familiar with the New Zealand system, the folio is a major external assessment for Visual Arts, worth about half of the credits available for a year); preparing for external exams in English; and completion of internal assessments for Art History, English, Media Studies and Visual Arts.

The third task in this list - completion of internal assessments - was not an initial part of our plan for the year, but it became clear as we marked work that although the theory of producing authentic work for a magazine and marking it against a range of standards was good, in practice there was some 'shoehorning' required to make sure all the requirements of a standard were met so that the student could be awarded the credits. As a result of this, in 2013 students will be working according to more conventional type assessment tasks that are designed to ensure all requirements of a standard are met, while at the same time giving students the freedom to produce authentic work for Passionfruit Magazine.

Polaroid transfer onto bandage. Jasmine Wiltshier, 2012

Some of the feedback that we received from students during the first half of the year was that they wanted to be able to spend much more time making art works, and the development of their folios gave them the opportunity to do this. They embraced this fully, to the extent that it was sometimes hard to get them to attend to other work! The amount and flexibility of time available to students enabled them to explore a range of processes that we would not usually cover, and the photographers developed a particular interest in Polaroid transfers.

Our Painting majors were invited to join the conventional NCEA class for the second half of the year, and this assisted greatly with their skill development and ability to craft work to meet the requirements of the external standard. While the project based learning approach of this project is great for the development of a range of skills and aptitudes, the development of specific technical skills is variable, depending on the context each student works in. Attending a series of formal lessons proved to be a great way for the Painting students to develop some of their skills, and we are in the process of working out how best to integrate this into the project for next year.

Preparation for external exams in English provided quite a challenge. Enough time was available for the teaching and study necessary to prepare students for the exams, but students found it hard to adapt to the set requirements of preparing for a test when they had become used to working in a much more self-direct manner. In reflecting on the difficulties that arose from this, we are considering running an English 'line' of the timetable for the project students in 2013, or adding them to a conventional class at the appropriate level for some periods of the week so they are given the structure needed to help them have success in the exam.

I'll be back with some more reflections on the project in the coming week, along with some of the other ideas we have for 2013.

The Magazine!

It's been a while since I made a posting here, thanks largely to a madly busy month or so of completing the magazine for the print deadline, followed by a launch event, filming some video snapshots with Merryn and Michael from CORE, and distribution of the magazine to schools, cafes and other locations around the city.

The response we've received when we show people the finished magazine has been outstanding. Having been so focused on the production of the magazine I think we've almost become blase about what we've achieved. I was reminded of this recently when I dropped in to show it to the team at Ministry of Done. They've been involved in more than their fair share of publications, and I really respect their opinion on educational projects. Hearing how impressed they were with Passionfruit made me step back and think "Yeah, we dun good!"

This added to a message that one of the students had received from painter Grahame Sydney in response to receiving a copy of Passionfruit:

Many thanks for the copy of the "Passionfruit" magazine received late last week. Its a classy little thing, with plenty of page-turning interest and a bold, sharp design element which makes it look very contemporary and professional.
Your own photographs look terrific, by the way. I trust you're pushing that adventurous talent as hard as you can, and being courageous - trusting your private instinct !!!
. . .
My congratulations to you and the team, and I hope working on Vol 1 has inspired further urges to carry on with more in future.

Another really pleasing experience for me as a facilitator of the project has been to hear the NCEA Level 2 students (who will be carrying on with the project next year) starting to talk about what they want to do in terms of leadership roles, and improvements they will make based on their experiences and the outcomes this year. It feels like we're beginning to build some momentum . . .

 

Reflections on the project - June 2012

This is a shorter edit (with a couple of extras) of the video we presented at the VPLD & DA hui back in June.


Curriculum Integration Project Snapshots June 2012 from Passionfruit Magazine on Vimeo.

Printing Passionfruit Volume One

A big thanks to Tony and Jono from Print House Ltd for letting us film them at work, and The Darkroom Project for the music.

Video Presentation for VPLD & DA Hui 2012

Two members of our teaching team (Lorena and Sam) presented virtually to the Te Toi Tupu's Virtual Professional Learning Development and Digi-Advisors Hui (VPLD & DA) in Christchurch on Friday 22 June. This video, a series of snapshots of staff and students reflecting on the project thus far, made up part of our presentation. 



A big thanks to everyone who was interviewed for the video, to Merryn Dunmill for inviting us to the Hui, and to Inspecta Morze for the beats.